Higashi-ku (東区) is one of four wards of Okayama, Okayama Prefecture, Japan. The ward has an area of 160.28 km2 and a population of 96,718. The population density is 603 per km2. The name means \"East Ward.\"
"}{"type":"standard","title":"Khalili Collection of Swedish Textiles","displaytitle":"Khalili Collection of Swedish Textiles","namespace":{"id":0,"text":""},"wikibase_item":"Q66454754","titles":{"canonical":"Khalili_Collection_of_Swedish_Textiles","normalized":"Khalili Collection of Swedish Textiles","display":"Khalili Collection of Swedish Textiles"},"pageid":64291510,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Khalili_Collection_Swedish_Textiles_Carriage_Cushion_Cover.jpg/330px-Khalili_Collection_Swedish_Textiles_Carriage_Cushion_Cover.jpg","width":320,"height":190},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/a/a4/Khalili_Collection_Swedish_Textiles_Carriage_Cushion_Cover.jpg","width":3797,"height":2255},"lang":"en","dir":"ltr","revision":"1247248847","tid":"3b21a86a-79b1-11ef-8e9e-377ecfe22708","timestamp":"2024-09-23T13:39:18Z","description":"Private collection of textile art","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Khalili_Collection_of_Swedish_Textiles","revisions":"https://en.wikipedia.org/wiki/Khalili_Collection_of_Swedish_Textiles?action=history","edit":"https://en.wikipedia.org/wiki/Khalili_Collection_of_Swedish_Textiles?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Khalili_Collection_of_Swedish_Textiles"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Khalili_Collection_of_Swedish_Textiles","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Khalili_Collection_of_Swedish_Textiles","edit":"https://en.m.wikipedia.org/wiki/Khalili_Collection_of_Swedish_Textiles?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Khalili_Collection_of_Swedish_Textiles"}},"extract":"The Khalili Collection of Swedish Textiles is a private collection of textile art assembled by the British scholar, collector and philanthropist Nasser D. Khalili. The collection was built up over a period of 25 years and contains 100 works. It is one of eight collections assembled, conserved, published and exhibited by Khalili, each of which is considered among the most important in its field. In 2008 it was described as \"the only extensive collection of Swedish flatweaves outside the country\". The collection consists mostly of textile panels, cushion and bed covers from the Scania region of southern Sweden, dating in the main from a hundred-year period between the mid-18th and mid-19th centuries. The majority of the pieces in the collection were made for wedding ceremonies in the region. While they played a part in the ceremonies, they were also a reflection of the artistry and skill of the weaver. Their designs often consist of symbolic illustrations of fertility and long life. Khalili writes that he created the collection because of the tendency of art historians and the public to undervalue art whose creators are anonymous.","extract_html":"
The Khalili Collection of Swedish Textiles is a private collection of textile art assembled by the British scholar, collector and philanthropist Nasser D. Khalili. The collection was built up over a period of 25 years and contains 100 works. It is one of eight collections assembled, conserved, published and exhibited by Khalili, each of which is considered among the most important in its field. In 2008 it was described as \"the only extensive collection of Swedish flatweaves outside the country\". The collection consists mostly of textile panels, cushion and bed covers from the Scania region of southern Sweden, dating in the main from a hundred-year period between the mid-18th and mid-19th centuries. The majority of the pieces in the collection were made for wedding ceremonies in the region. While they played a part in the ceremonies, they were also a reflection of the artistry and skill of the weaver. Their designs often consist of symbolic illustrations of fertility and long life. Khalili writes that he created the collection because of the tendency of art historians and the public to undervalue art whose creators are anonymous.
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